Today I am sharing with you a project that was
inspired by the beautiful art done by the Huichol (pronounced ‘wee- chol’)
Indians, from the rugged and remote villages of the Sierra de Nayarit Mountains
northeast of Puerto Vallarta. Huichol art work encompasses beautiful intricate
yarn paintings, bead work, embroidery, and carved art.
Huichol art is
more than just pretty objects, and displays deep symbolisms of the Huichol
religious faiths, which is centered on their “holy trinity” of the deer, corn,
and peyote. Prayer bowls, beaded animals, masks, and ceremonial objects use
sacred symbols that represent the artist’s religious beliefs and culture. Their
art is inspired by and a reflection of their intensely personal religious
culture, and of visions that allow them to communicate with their gods. They consider
their creativity a gift from the gods and their ancestors, to be given back as
offerings. A form of prayer. Every item is heavily symbolic, personal, and
esoteric, with beautifully rendered symbols.
The Huichols’ art is made not from the standpoint
of decoration, but is a profound expression of deep spiritual beliefs. This
makes traditional Huichol art, whether it be meticulous beadwork, yarn
paintings, wooden masks, or striking embroidered and woven personal adornments,
beautiful not only from its aesthetic perspective but from the psychological as
well.
On my travels to
Mexico, I was lucky to have experienced all these different Huichol art forms if
only in a touristic capacity. I was deeply influenced by the story and beauty
of these vibrant captivating pieces of work. Every piece has its own distinct
voice, tells a pure story; and I honestly believe when an artist sets out
making a piece, they include whether they intend to or not, an unique message, a
response to the world around them, and an expression of some intensely personal
emotion.
An inspired desire
to creatively explore the artistic Huichol beadwork art on my own ability has
been brewing in me for the past couple of years and finally I took the plunge.
The Huichols make each piece by first spreading a
thin layer of a beeswax mixture over a wooden form or hollowed gourd, and then
meticulously pushing small size 15 seed beads (approx. 1.4mm by 0.9mm) or size
11 glass seed beads (approx. 2mm by 1.3mm) into the beeswax using a needle to
create complex patterns and symbols. Intricately detailed pieces involve the
use of the smaller size 15 beads. I chose a small simple unfinished box (4x4x1.5
inches) and a clay turtle (3x1.25 inches). The choice of the turtle was in respect
to the significance of animals to the Huichols.
I used plain white craft glue and chose size 15 seed beads (there were many moments when I questioned my sanity in making that choice) which are much smaller than the size 11 beads used commonly. Intricate designs are painstakingly created by the Huichol artisans, and every bead is always perfectly in place (not so much in my pieces).
I used plain white craft glue and chose size 15 seed beads (there were many moments when I questioned my sanity in making that choice) which are much smaller than the size 11 beads used commonly. Intricate designs are painstakingly created by the Huichol artisans, and every bead is always perfectly in place (not so much in my pieces).
Note: Turtles are esteemed as assistants of the rain
goddesses, turtles are believed to be responsible for replenishing the water of
underground springs and the purity water sources
I used plain white craft glue and chose size 15 seed beads (there were many moments when I questioned my sanity in making that choice) which are much smaller than the size 11 beads used commonly. Intricate designs are painstakingly created by the Huichol artisans, and every bead is always perfectly in place (not so much in my pieces).
This project is not by any means easy or simple, I struggled with it at almost every stage; with the design of the patterns and symbols, the best way to handle these tiny 1.4 mm size beads, aligning the beads in a tight overlapping manner, with color choices, the slow and time consuming progress. But nevertheless, I am proud I gave this art form a serious and dedicated try. I learnt so much along the way, the depth of this art form, an appreciation and respect for the indigenous art form roots of our world, to trust myself, to starting over after mistakes (and believe me, I re-did many parts several times over). The box and the turtle are inspired from this art form and I chose random patterns and colors that I liked, I did not take liberties and use the traditional cultural and religious symbols of Huichol art
